the waiting game

Today I finished the last piece of the MFA application puzzle, and mailed off my Graduate Assistantship Application to the University of Memphis (lovingly due Feb. 15th, so I had some breathing room). This has to be the eighth or ninth time I’ve gone to the post office on Church and Vesey on my lunch break. The Church Street post office is one of those massive, immaculate post offices, standing right next to the pit of Ground Zero. It was strange, of course, to be plowing through the cold towards the site, where safety officers in yellow vests hold plastic chains to contain the pedestrian traffic on the makeshift street between Foley Square and Ground Zero. I moved to the city one week before September 11th happened; and here I was, walking by the gaping hole as I sent dozens of envelopes into the world, all of which signal my possible leaving New York.

The whole application process often seemed like an out of body experience. Am I really expending all of my post-job energies at my desk in Brooklyn, writing and re-writing statements of purpose and quoting my graduate GPA, printing endless copies of my writing sample and charging fee after fee on my credit card? (The cost of applying to 12 schools, while I did prepare for it, has still left me reeling). The worst came somewhere between application #6 (Purdue) and application #7 (Arkansas), where the burn out was so profound I had serious thoughts of just not applying, of just letting my hard won letters of recommendations and GRE reports disappear into nothingness. I can say I owe my victorious slogging through to the finish line to my patient roommate, her penchant for quadrupling brownie recipes, the soundboards of facebook and twitter, and, of course, the ever-so-valuable MFA Blog.

The MFA Blog, with its ongoing cascade of conversations through each post’s comments section, kept me going with affirmations of everything from is-it-okay-to-list-publications-in-the-scholarships-and-awards-section, to oh-my-god-why-the-eff-did-i-ever-decide-to-do-this-tell-me-again outbursts. Now that we’re in the throes of the waiting game (schools promise response anywhere from mid March to mid April, with past reports showing that accepted applicants were notified as early as the last week of January), though, I’ve had to take a break. There’s so much data and speculation that ever supportive friends and co-workers finally snapped, when I gleefully announced this week that an applicant on the blog heard from Alabama and was accepted for poetry. (“Why does it matter?!” exclaimed my boss, to which I sheepishly replied, “Well, y’know, if she hears…then maybe I’ll hear…or next week…y’know.”) Apparently, back in the day, the waiting game only involved waiting, and not all the bells and whistles of the internet and patterns of past acceptance years and which schools are hiring and which schools cut funding. It’s nerve-wracking enough knowing that my fate is now in the hands of twelve selection committees who are reading anywhere from 75 (that’s Kansas’s ballpark) to 1,100 (that’s UT Austin’s ballpark) writing samples. A break from all the extraneous information, until I hear via phone, or e-mail, or snail mail, what my next bold move could or couldn’t be, is necessary.

Meanwhile, it’s most surreal to think that I might leave New York. I have moments in my apartment–reading on the couch, or watching my cat tumble from the countertop–when I think, I might not be here next year. And who would leave such a beautiful apartment, in such a magnificent Brooklyn neighborhood? Who would leave dear friends and queer dance parties and so many places where, as the saying goes, everybody knows your name? Who would leave the many bike lanes, the larger than life energy, the first place you got to when you were 18 and decided that you needed to go?

Writers who are offered three years of funding, writing community, and teaching opportunity, I suppose.

I did, though, take the F train two stops to Smith-9th Street on a mild Sunday night recently, and walked the streets of Red Hook to attend my friend Simone Metleson’s art show with artist talk. Here was a tiny gallery of curated fiberworks, all beautiful, all carefully articulated by their creators, a room of mostly women, some in sneakers, some with bike helmets, some with dresses, some with babies. On the dark walk along Court Street under the BQE, I thought, I can’t leave here. I can’t, I can’t, I can’t.

Luckily, there’s nothing to decide and no where else to go.

Yet.

A Single Man

George: “Remember when that lesbian threw a drink on your head because you asked her if she was hung like a donut?”

Charly: [Deep, deep laughter]

(Also: I would hop a fence for Nicholas Hoult.)

(Also also: is there a literary and cinematic lesbian equivalent of A Single Man? Like, a really stunning and well told heart breaker of a story of two women who love and die like these characters do?)

isn’t it ironic

that kid cudi samples/riffs off of poker face in this song

…when lady gaga has said that poker face is about hooking up with a dude while actually fantasizing about being with a girl.

[thanks to ep for the ‘say-what?!’ song tip off]

uh, bitch magazine, can we get on this?

xo, c

(post script: kanye is hip to the irony. says: ‘oh, that’s crazy.’)

where my girls at?

As awesome female-fueled band Renminbi noted on Twitter today, women musicians have been (sadly + unsurprisingly) absent from the Top Albums/Artists of the Decade lists that have been flying around. For kicks (and statistics), I thought I’d round up some major list makers and see what their female to male ratios were.

Paste Magazine: The Best 50 Albums of the Decade

There’s lots of dude-centric wading through this list to find the female contenders. Of the top ten, just two women are included (M.I.A.’s Arular and Gillian Welch’s Time (the Revelator)). They’re joined by four other females’ contributions to the aughts: Bjork’s Vepsertine, Loretta Lynn’s Van Lear Rose, Amy Winehouse’s Back to Black, and Patty Griffin’s 1,000 Kisses. Female-drummer inclusive The White Stripes’ Elephant also makes the list, although Paste’s accompanying blurb mostly pays accolades to all of Jack White’s projects. Final totals (Meg White included): 7/50. Ouch.

Billboard: Readers’ Poll Top 10 Albums of the Decade

Okay, okay, okay. This is a) Billboard, and b) a reader’s poll. It’s totally female-heavy (6/10 albums are by leading ladies), but it’s also pop-heavy, so not very meaningful as far as women-who-play-their-own-instruments-and-write-their-own-music. But they’re still females, eh? The list reads like an MTV award show line up, with Lady Gaga, two Britney Spears releases (Blackout and Circus), two Taylor Swift’s (her self-titled and Fearless), and Ashley Tisdale [sidenote: who the hell is Ashley Tisdale?] ‘s Guilty Pleasure. Now, lemme go back to looking for female musicians.

Guardian’s NME Top 50 Albums of the Decade

So let’s hop across the pond and see how ladies are faring over there, huh? I’m relieved to see Polly Jean Harvey on here (DUH, ANYONE WHO’S OWNED A CD PLAYER THE LAST TEN YEARS), but alas, she’s one of only three solo females on the list (Amy Winehouse and M.I.A being the others), with two Karen O.-fronted Yeah Yeah Yeah albums (Fever to Tell and Show Your Bones) making the cut. Thrown in half-female The Knife, and you’ve got a Paste Magazine-similar ratio of 6/50.

Rolling Stone’s 100 Best Albums of the Decade

Finally, let’s check in with music jouranlism giant Rolling Stone and take a tally. Apparently, if you look at the best 100 albums of the decade, you let a lot more ladies onto the list. Sure, seven of the fourteen female-inclusive albums are in the bottom 50, but look! There’s Cat Power! And Alicia Keys! Missy Elliott! Sleater Kinney! Shame on anyone who can imagine a decade without these artists. I’m also pleased to see a list that not only includes M.I.A.’s sophomore album Kala, but puts it high up there (9 out of 100). Other girls on the roster: Bjork’s Vespertine, Gillian Welsh’s Time (the Revelator), Norah Jones, Fiona Apple’s Extraordinary Machine, PJ Harvey, The Yeah Yeah Yeah’s Fever to Tell, and Amy Winehouse again. M.I.A.’s debut album made the cut, too, along with Amadou + Mariam, an apparently blind couple from Mali, and The New Pornographers, who often have some women in their rambling multi-piece band. All told? 15/100. Math majors, reduce that radio to 7.5 out of 50, or 3 out of 20. Yikes.

Some women musicians who populated my cd discman-turned-iPod/iPhone this decade that I would’ve loved to see on these lists: The Gossip, Le Tigre, Erin McKeown, Feist, Kimya Dawson, Yelle, Kaki King, Santigold, Little Boots, Regina Spektor, Beyonce [How could no one include Beyonce?!? B-Day?!? C’mon!], Eryka Badu, St. Vincent, Juana Molina, Peaches, Grouper, and more I’m sure I’m forgetting.

And how about the lack of queer artist representation on these lists? Oof. Don’t even get me started. xo, c

New York Magazine, I Love You, But You’re Bringing Me and the Queer Community Down

Oh, New York Magazine. We have a long history together, don’t we? I remember the first time I really noticed you, five years ago at the New York Public Library. I did a double take when the issue that laid on the racks proclaimed an article about “trannie bois”. My queer New York was dotted with trans kids and gender queers; to see them evoked on the cover of a glossy magazine made me skeptical, and as I recall, with good reason. The article was often narrow-minded and hypocritical. Oh, how I wanted a cultural magazine that could talk about queer New York with finesse and respect.

Fast forward a few years to when I somehow end up subscribing to New York. Maybe it was the allure of being a grown up–teaching full-time in the Bronx, with a one bedroom in Harlem. I loved the way New York mag looked rolled up in my mailbox, the way I could veg out with the gossip columns, consumer treats, cultural news and interviews. You seemed, always, a magazine as in love with the city as I was, and I adored you.

Recently, though, you’ve published some lines that have me doing that double take again. Take this summer, when an article popped up on your website insinuating that a study of gay male alcoholics makes the case that gay men party so much, it’s impossible for them to get sober. (God, how I still shudder to type such a bullshit idea). I preyed on your comments section, blogged it, twittered it, facebooked it, and hated it. The next issue, there were no letters to the editors, no comments culled from your blog. Many people–including someone associated with the study–complained about the audacity of that article. But you didn’t much seem to care.

Now, you’ve printed some pretty outlandish and inherently racist words about something very near and dear to my young heart–the queer dance party scene of Brooklyn. This fall I wrote an article about this very scene for The Queerist, citing a recent surge of mixed queer parties dotting the borough. Emphasis here on mixed queer parties. I mean, let’s look at this: the first Rumours party I attended hosted some gay boys along side hipster dykes and fashionistas. Secret Faggot, when I’ve gone, has always been an impressive down the middle split of fags and dykes. And then, there’s the population of trans kids who are partying at these places. Especially at That’s My Jam, which hosted the Trans My Jam party during Pride this June, I feel like there’s finally a sense at most of these parties that if you’re anywhere under the broad queer umbrella, you’ll be among other queers, hands down. And, most importantly of all, at all of these parties there will be awesome DJs and LOTS of dancing. No more sipping cocktails on the sidelines waiting for a good song to come on. No more of this girls parties/boys parties eye-roll inducing segregation.

But you! You, New York Magazine. You write up all of these parties and then some under the heading of Girls Have More Fun. Now, I’m a girl, and I love these parties, yeah. And I see other girls there, totally. But for Christ’s sake, that’s not the whole picture. Then, the icing on the cake. Liz Armstrong, author of this piece, summarizes That’s My Jam like this: “A roving affair that sets down in three bars in Brooklyn. Its original intention, allegedly, was to promote interracial hookups. It seems to be working.”

Whoa. Whoa, whoa, whoa, whoa, whoa.

To pause for one moment here and play devil’s advocate, I can imagine Armstrong’s article getting written like this: pitches are thrown out for the annual Reasons to Love New York issue (sidenote: this is an issue I’ve grown to love, as I could talk about reasons to love this city until I die). Armstrong starts ticking off the parties she’s heard about in Brooklyn, bets she can wrangle up a few more to illustrate a movement, and voilà, New York’s got it token queer Reason to Love New York. Camera person gets sent to Rumours last Friday, links/sites are found to rep each of the parties, and suddenly the deadline is here. Whip up some quick/cute/all assuming copy (“sapphic centric Brooklyn”, blah blah blah), and send it to print.

In all fairness, most of these parties are happy to have the press (both Rumours and Gay Face reposted the article on their Facebook pages as soon as it was up on the web). Nor do those parties mind falling under the category of girl party. But the write up of That’s My Jam is just hugely erroneous. First off, it’s definitely not a girl party. I mean, girl party? That, to me, means a party for girls. Like Eden. Or Choice Cunts. Or Shescape. That’s My Jam? Puh-leeze. Performance artists billed at TMJ parties have included The Obituaries (awesome duo of one het boy, one homo boy) and She Dick (drag queens extraordinaire). Co-creator Trent was recently featured in Time Out New York’s “Date These Trans Folks.“. Just take a look at the hundreds of photos from various That’s My Jams. You can’t get any further from “girl party” than TMJ.

And as for the blasphemous “Its original intention, allegedly, was to promote interracial hookups?” First of all, the word “allegedly” in journalism is not a source; it’s an assumption. And assumption doesn’t make for good copy. Second of all, do your homework, Armstrong! This fall when I reached out to the TMJ crew for the skinny on how TMJ got started, DJ Tikka Masala couldn’t have been more responsive and gracious. I don’t care what kind of deadline you’re working under; send a Facebook message and see what happens. It’s irresponsible to print such a thing. And maybe on first read, lay people might find nothing wrong or offensive with the idea that a party was “allegedly” started to “promote interracial hookups.” But think about it–we finally get a good party that attracts queers of color and white hipsters in the same event, and you think it’s about interracial dating? Do you think the other parties in the article were started to promote inter-L train stop hookups? No way. From what I can sense, people who frequent TMJ go because the music is rad and the crowd is fun. That’s My Jam started as a party for queers who wanted to hear good music and shimmy into the wee hours of the night. Mission accomplished, Tikka and co. That’s My Jam is an awesome party for queers who wanna dance.

So what would I like you to do, New York Magazine? I’m gonna say it would be good of Armstrong to apologize, or retract her assumptions, or give any kind of response. Even if she just writes to the TMJ crew with some kind of email that says, “My bad.” Sadly, though, I have a hunch that Armstrong and New York are just gonna lay low on this one. And how offensive it is, I have to say,  because it sends the message that queer communities aren’t even worth apologizing to. If New York Magazine published some BS assumption about some new fancy hotel, or art gallery, or hetero fête, you better believe they’d make some sort of comment on it. But a 300 word piece on queer parties (and at that, so-labeled girl parties)? Sigh. Like the gay-male-alcoholics-are-doomed article, I fear you’re just gonna let it slide.

All in all, it’s a shame because the renaissance of queer nightlife in Brooklyn is a HUGE Reason to Love New York. I don’t know about you, but the top reason I moved to this city nine years ago was so that I could be queer. My first year in New York, I had a gaggle of dyke friends with whom I party hopped as much as our fake I’d toting selves could. There was Gloss at Meow Mix, and BQE bar, Clit Club, and later places like Girl’s Room, Snapshot (still happening?), and Wednesdays at Metropolitan (still going strong, I’ll assume). Sadly, though, these parties were hit or miss, held on weeknights (death sentence to us working class queers), and most of the time catering to Lesbians with a capital L, a slot of queerness my friends and I didn’t all get down with. Now, though? Christ, in December alone, there will be or has been two That’s My Jam parties, two episodes of Hey, Queen, one Rumours, one Pantyhos (part of their blow out before saying goodbye). That’s four weekends of like eight parties! It’s a queer dance party circus out there right now, kids.

As for you, New York magazine? I totally won’t be renewing my subscription when that time rolls around. I could use that twenty bucks to pay cover charge and get a couple soda pops next weekend when my queer self goes out dancing. xo, c

[Nota Bene: One of the downsides of blogging is that you tend to post things immediately, as opposed to published writing, where you can mull over a draft forever and fix it up fine before it ever sees the light of day. Especially since this was a blog post about a current happening, I threw this one up after only a quick glance over. Weeks later, I’ve since made some changes, so please know that the above post is not the same as the one originally written. xo, c]

Care to help The Awkward Turtles rock out?

Last summer I co-coached this band with Rachel Rubino. Now, you’ve all heard me talk until I was blue in the face about how indescribably rad and talented the girls who come to rock camp are. Here, though, are the rad girls I was so lucky to watch form The Awkward Turtles over 5 days in August. And while most bands part ways and discontinue after rock camp, The Awkward Turtles have been traveling from near and far to practice every Friday night. What they need now, though, are band coaches. Sure, us rock camp volunteers could pitch in here and there out of the goodness of our music-loving hearts (which we usually do). But how rad would it be to fund band coaches, so that the girls get the support they need, and the hard working band coaches get some small monetary supplement? Every little bit helps, folks. xo, c

the view from November

m m m m macchiato

Dear neglected, beloved blog,

I’m sorry. I think of you often, I do. Here I am, writing to you from my uber cluttered desk. There are transcripts, and rough drafts, and rougher drafts, and manila envelopes; Paris Review books of interviews, sinus medication, and stamps. This is November as I was sure it would be. Today marks one month until the first of twelve MFA applications are due. Today I retook the GREs (standardized testing be damned), plotted out when to sweetly remind my gracious reccommenders to send their letters, and perused the MFA blog for what I’m sure is the seventy-fifth time. To ground myself, here are a list of some statistics which illustrate this process as it is:

Number of stories edited for writing sample: 2

Number of drafts of stories edited for writing sample: 6, total

Amount of pages spat from my rickety printer: 60+

Average acceptance rate of all twelve programs I’m applying to: 8.416%

Number of freelance pieces I’ve insanely managed to bang out in the midst of all this: 5

Percent of GRE Exam in a Box vocabulary flashcards learned: 82%

Increase in points between the first time I took the GREs and the second time I begrudgingly took the GREs: Verbal: 70+ Quantitative: 0 [even though I didn’t do a lick of math studying the second time around, my score was the same. WTF, testing gods, WTF?]

Total fees for sending GRE scores to schools (with the four score reports included factored in): $140

Number of macchiatos consumed since September: 17 (and counting)

Some current worries of mine (in a non-numerical fashion): I still don’t have a polished second story for non-fiction writing samples, if I decide to follow through and apply in non-fiction to a few schools. Despite some decent prep work, writing a personal statement has been like trying to articulate myself in a language I don’t speak. Furthermore: since this whole process has begun, I’ve slowly tapered off time for writing. Y’know, the whole reason I’m applying to these programs? The discipline and craft I am supposedly so in love with that I’d like to devote the next three years of my life to it’s pursuit?

As much as it is often riddled with fear and self-doubt, I miss those nights when I just banged about at my laptop. When it was just a collection of pages. When I wasn’t feverishly making to-do lists and analyzing over and over and over again what makes me a writer; what makes me want to do this.

I miss writing.

the resurrection of the good queer party

This summer I experienced something of a nightlife renaissance, clocking in more last-ones-at-the-bar/take-a-car-service-home-at-4AM kind of nights than when I was a fake-ID toting nineteen year old who thought Gloss Thursdays @ Meow Mix was the best party ever (it was).

After what I feel like has been a long dry spell of parties with good, queer dancing (how many more times could we really try and dance when DJ BK Brewster played Footloose at Cattyshack?), in the past year, mixed queer parties that boast incredible DJs have been popping up everywhere.

(rumours party image via marisa suarez-orozco)
(rumours party image via marisa suarez-orozco)

I interviewed DJ Tikka Masala about That’s My Jam, and DJ Marimacha of the recently minted Rumours for The Queerist for the skinny on how these rad queer dance parties came. You can check out the piece here. And hopefully, once the GREs are said and done (…so….close) I can go out and shake a tail feather til the wee hours, and bask in this queer party movement.

xo, c

interview

the above is totally a) my living room b) my friend mal and c) me.

please insert any and all self-conscious remarks about appearing in a vlog here. blogging and writing are one thing, but it was whole new territory to conduct an interview on video in my living room. always up for an adventure, though, i agreed to interview my friend mal blum for the queerist, an awesome queer events and culture site/blog. it was terrific to be able to take general conversations that i have with friends about queer music and marketing and creativity, and then publish it in a more public way.

the print piece you can read here, and also peruse more of the queerist. (where was the rad queer online calendar when i was growing up?)

xo, c

SuperMachine Poetry Reading

This Friday, October 9th, at 8PM I’ll be taking a much needed break from the land of manuscripts and flashcards to read poetry as part of No, Dear magazine’s Best Of gathering, which is being hosted by SuperMachine at Outpost in Brooklyn.

Picture 8

The above is an illustrated submission form for Super Machine Poetry. Like No Dear (but perhaps not hand sewn), they’re a relatively new Brooklyn poetry venture. Bestill my homemade poetry heart.

Post-reading I will be high-tailing it to the city to catch MEN and The Gossip at Terminal 5. As Mal Blum recently pointed out to me, I have the social life of a queer countess.

xo,

c